This post was originally published on this site
Travis Knight is sitting in the back of Laika Experience, an exhibition at Comic-Con in San Diego, next to an interior set from his film Kubo and the Two Strings, one of several film sets stationed around the room. Each setup looks effortless, but the reality of the hours and decisions that went into that tiny space is something only Knight and his team understand. In a way, you could say seeing the sets re-created is like returning to an alma mater campus. Memories. Sometimes too many. “I won’t say which one, but one shot on Kubo took two months to get the expression right,” says Knight, CEO and president of stop-motion…